Discover the untold story of The Ancient Egyptian Theatre, a groundbreaking exploration that unveils new archaeological evidence on how ancient Egyptians pioneered the art of drama. This captivating book reshapes our understanding of Egypt’s cultural influence on theater history, offering fresh insights into their sophisticated performance traditions. A must-read for history enthusiasts, theater lovers, and scholars alike!




Embarking on a formidable journey of intellectual and creative exploration, I dedicated myself to the pursuit of academic excellence and artistic mastery
My doctoral journey culminated in the attainment of a Ph.D. in Art History and Philosophy from the revered College of Fine Arts in Cairo, Egypt, in the year 2022.
Prior to this, I meticulously cultivated my scholarly foundation through the completion of a Master of Fine Arts (MFA) degree in Art History and Philosophy from the same esteemed institution in 2009.
Driven by an unyielding passion for continuous learning and a fervent desire for professional growth, I seized the opportunity to expand my horizons by pursuing a Master of Business Administration (MBA) degree from the renowned Maastricht School of Management (MSM) in the Netherlands in 2011. This pivotal academic endeavor equipped me with invaluable insights into strategic management and leadership, positioning me as a dynamic and forward-thinking professional in the competitive global landscape.
Complementing my academic achievements, I fortified my intellectual repertoire with a Diploma in Political Science and International Affairs from Cairo University’s esteemed Faculty of Economics and Political Sciences in 2007. This interdisciplinary academic pursuit broadened my understanding of complex socio-political dynamics on both local and international scales, fostering a holistic approach to addressing contemporary challenges.







Omar facilitated another stimulating workshop at MitOst e.V. in Berlin, Germany, immersing attendees in a lively exchange of ideas and perspectives.

workshops at different prestigious museums in Cairo, Egypt, and the Kulturni Centar Beograd in Belgrade, Serbia, fostered a sense of unity and celebration of diverse cultures.

Venturing further afield, his workshops have made an indelible impact on international audiences. His insights shared at the Taipei National University of Arts ignited a fervor for artistic expression among participants.

Omar spearheaded a thought-provoking workshop at Spaces of Negotiations, International. Here, participants engaged in dynamic discussions and forged connections that transcended geographical boundaries.








Engage with global leadership and excellence through memberships and roles in esteemed international boards, committees, and organizations. From serving on UNESCO’s Steering Committee of the U40 Cultural Diversity Network in Germany to membership in the distinguished Royal Archaeological Institute in England

The International Council of Museums (ICOM) is a non-governmental organisation dedicated to museums, maintaining formal relations with UNESCO and having a consultative status with the United Nations Economic and Social Council. Founded in 1946, ICOM also partners with entities such as the World Intellectual Property Organization, Interpol, and the World Customs Organization.

The International Theatre Institute ITI is the world’s largest performing arts organisation, founded in 1948 by theatre and dance experts and UNESCO. Dedicated to performing arts, ITI advances UNESCO’s goals of mutual understanding and peace and advocates for the protection and promotion of cultural expressions, regardless of age, gender, creed or ethnicity. It works to these ends internationally and nationally in the areas of arts education, international exchange and collaboration, and youth training.

The International Organization of Scenographers, Theatre Architects, and Technicians (OISTAT) is a global non-profit organization dedicated to advancing the fields of scenography, theatre architecture, technology, and stagecraft. Founded in 1968, OISTAT promotes the exchange of knowledge, innovation, and creativity among professionals in the performing arts, particularly those involved in designing, constructing, and managing theatrical environments.

The Geographical Association of Egypt (GAE) is a professional organization dedicated to advancing geography and promoting geographic knowledge in Egypt. Established by Khedive Ismail Pasha on May 19, 1875, as the Khedivial Society of Geography, it was led by German botanist Georg August Schweinfurth. Over time, the association’s name changed to reflect Egypt’s political status, acquiring its current name after the Egyptian Revolution of 1952. Today, the GAE fosters interest in geography, promotes education, conducts research, and addresses geographic challenges, contributing to sustainable development in the nation.

Penn Museum, formally known as The University of Pennsylvania Museum of Archaeology and Anthropology, is an archaeology and anthropology museum at the University of Pennsylvania. The Museum is commitment to ethics in archaeology as well as to the archaeological context of the objects in its collection. From the beginning of its history, the University Museum articulated a collections policy less interested in individual objects and more with legally acquiring whole groups of objects that had come from scientific exploration, and that would be accompanied by carefully and scientifically gathered documentation.

The United Nations Educational, Scientific and Cultural Organization (UNESCO) is a specialized agency of the United Nations, established in 1945, with a mission to promote peace, sustainable development, and intercultural dialogue through education, science, culture, and communication. Headquartered in Paris, UNESCO works globally to foster intellectual cooperation among nations and to address some of the world’s most pressing challenges, such as poverty, inequality, environmental sustainability, and human rights.































"Our history is not a relic of the past, but a catalyst for transformation. Egypt’s ancient legacy pulses through our veins, and it is our duty to seize that power, to mold it, and wield it as a force for change. We are the heirs of a civilization that once led the world
now it is time to rise again, not as guardians of tradition, but as revolutionaries who will shape the future with the fire of our heritage. We do not inherit history, we forge it.”








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